Ms. Lauryn Hill has curated a new commission by Lauren Halsey on London’s Piccadilly Lights. https://ift.tt/fz2uRj6

Rapper and singer-songwriter Ms. Lauryn Hill has curated a new site-specific commission by Los Angeles artist Lauren Halsey for Piccadilly Lights, the digital billboard overlooking London’s Piccadilly Circus, timed to the U.K. debut of Hill’s Diaspora Calling! music and arts festival.

The commission, a short animated film drawing on the imagery and symbols of the global African diaspora, played on the screen on the night of August 5th for a one-night-only presentation, ahead of the festival. The project was realized in close dialogue with London-based curator Lisa Anderson. Hill and her former Fugees bandmate Wyclef Jean stood in the circus surrounded by fans. “The crowd was captivated,” Hill told the Associated Press. Jean called the moment “surreal.”

The unveiling comes as Diaspora Calling! marks its 10th anniversary and travels outside the U.S. for the first time. Hill launched the festival in April 2016 at Brooklyn's Kings Theatre, opening with a gallery co-curated with MoCADA, Nader Haitian Art, and the Haiti Cultural Exchange, and a concert featuring Machel Montano, Stephen “Ragga” Marley, and Mr. Eazi, among others. She has described the project as a way of foregrounding “a resounding collective voice” across the African diaspora rather than a single narrative.

The anniversary performance will take place Friday, August 7th, at the National Bowl in Milton Keynes, hosted by Dave Chappelle, with Hill and Jean performing the Fugees’ “The Score” in full for its 30th anniversary, alongside sets from Erykah Badu, YG Marley, Zion Marley, Giggs, and Fireboy DML.

For Halsey, the Piccadilly Lights commission extends a run of major public projects. Her monumental sculpture park “sister dreamer,” presented by the Los Angeles Nomadic Division (LAND) and curated by Christine Y. Kim, has been on view in South Central Los Angeles since March, with support from the Mellon Foundation and backers including LeBron James, Brad Pitt, and Larry Gagosian, whose namesake gallery represents Halsey.

In 2023, she realized a rooftop commission for the Metropolitan Museum of Art, and in 2024 she presented work as part of the 60th Biennale di Venezia. Halsey has also had solo exhibitions at the Serpentine in London (2024), the Seattle Art Museum (2022), the Museum of Fine Arts, Boston (2021), and the Fondation Louis Vuitton in Paris (2019).In 2020, she founded the Summaeverythang Community Center, which distributes free produce in South Central Los Angeles.

Following Friday’s concert, Diaspora Calling! is expected to continue expanding internationally; Hill told the AP she hopes to stage further editions.

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Meet the Gallerist Bringing World-Renowned Artists to a Tiny Greek Island https://ift.tt/soXvb9C

On a rocky outcrop on the small Greek island of Antiparos, a waist-high bronze statue of a rabbit sits on the edge of a turquoise infinity pool. Wearing a large, tented skirt, it faces the windswept Aegean Sea from the terrace of a private home. The scene could be from a Greek dream right out of the Odyssey; except the artwork, inspired by Japanese animism, is by renowned artist Leiko Ikemura.

Good Rabbit (2018–24) is one of several works by major international artists gathered in this remote Cycladic setting for “Melting Beauty,” a summer exhibition organized by Thea Montauti d’Harcourt Lyginos, founder of Geneva gallery L’Appartement. The surprisingly remote location of Antiparos, Greece, is a nod to her Greek husband and years of family summers on the island. Like her gallery in Geneva, the choice of location doubles down on Montauti d’Harcourt Lyginos’s philosophy of using residential spaces for art exhibitions.

Placing art in a domestic setting

Inside the house, a patchwork seascape by Sean Scully hangs opposite a 5-meter-long mural by Amy Sillman. A gigantic raw-canvas triptych by Martha Jungwirth occupies the living room; paintings by younger artists appear in the kitchen and bedrooms. Right next to the archaeological site of Despotiko, the house is in an out-of-the-way spot for a show of such high-profile names; others include Yinka Shonibare, Joan Snyder, Kennedy Yanko, and Liliane Tomasko under the fluid theme dreamed up by curator Craig Burnett.

Destination art shows are hardly new in the art world. Mega-gallery Hauser & Wirth has a permanent space in Menorca, Spain, for instance, while DESTE Foundation, an art organization run by Greek collector Dakis Joannou, has staged projects on nearby Hydra for well over a decade. More recently, galleries have become increasingly interested in meeting collectors where they are vacationing, whether at new art fairs in Ibiza and Saint-Tropez, or through pop-ups like this one, which runs through August 31st. During the exhibition’s opening days, the gallery directors, artists, and collectors dropping in suggested that its approach was working.

Everyone, it seems, wants to be part of the dreamy Greek island lifestyle, including artists. Snyder, the acclaimed American painter, for instance, created one of her “Pond” works specifically for the show, drawn in by Burnett, with whom she’s worked for years.

“It sounded intriguing to be in a show in Greece that [Burnett] was curating,” she said. “Of course I said yes.”

Artworks on the theme of “Melting Beauty”

Deep Pond, 2026
Joan Snyder
L'Appartement

Deep Pond (2026) is a muddy taupe square with a sticky acrylic void at its center. It’s dotted with tiny collaged green and pink blobs. For curator Burnett, it encapsulates the concept of “Melting Beauty.” Throughout the show, he explained, he chose works that seem in the middle of disintegration to evoke the sensual qualities that are so present in the Greek landscape beyond the residence’s borders. “It really suits the setting in terms of the title of the show—in terms of melting, the sense of liquefaction, but also the sense of the sensuality of emotion,” he said.

Alongside the renowned names are several rising artists. A painting of flowy female figures byKonstantina Krikzoni fills the kitchen while Amorelle Jacox’s gauzy symbolist canvases hang in the master bedroom.

“The show is invested with this kind of feeling of eros,” Burnett said, pointing to a copy of Schiller’s On the Aesthetic Education of Man. In the book, Schiller contrasts “melting” beauty, which relaxes our minds, with the taut, rigid kind, which energizes us. A small, tabletop sculpture by Kennedy Yanko, made using her signature paint-skin and metal technique, offers a case in point. Its pink, folded form slumps sensually on its plinth, unexpectedly elegant.

L’Appartement’s first off-site

The island project makes more sense in light of Montauti d’Harcourt Lyginos’s career. She began at Sotheby’s in London, before moving to Geneva to work for Gagosian. When she established her own gallery in the Swiss lakeside city in 2024, she set out to create the kind of space she'd always wanted to visit: somewhere welcoming, with the feel of an apartment.

“I never envisioned this sort of multinational white cube, with many spaces around the world,” she said. “That was never the ambition.” Instead, she wanted a place where visitors could sit down and talk—something she felt Geneva lacked. On Antiparos, she’s translated that vision into a real home.

But why this specific island home? For Montauti d’Harcourt Lyginos, that connection starts with her name. “Thea” means goddess in Greek—a name her mother gave her, inspired by her love of ancient Greece. Then she married a Greek man, and the tie deepened. For the past decade, the family has spent its summers around the Aegean: Antiparos and nearby Paros as well as Schinoussa. “It’s really my second home,” she said.

When the opportunity arose to stage an exhibition in a newly built private residence on Antiparos, she didn’t hesitate. The island, she noted, already had the right audience.

“Historically, Antiparos always brought a very artsy crowd,” she said, adding that major gallerists Eva Presenhuber and Dominique Lévy both have connections to the island. It’s a haunt for Hollywood names, too: Tom Hanks and Sofia Coppola both vacation there.

But the gallerist isn’t sticking around beyond summer. Montauti d’Harcourt Lyginos is already considering another off-site project, this time in Turin, Italy. “I’m 100 percent Italian,” she said with a grin. But that will be at least two years before that happens.

Wall Sky Blue Grey, 2026
Sean Scully
L'Appartement

Flirt, 2024
Arlene Shechet
L'Appartement

Her first off-site exhibition taught her that such projects require more time than expected—most importantly to allow artists to create new commissions. The gallery may have escaped the white cube, but it has not escaped the logistical challenges of mounting an international exhibition.

After all, “Beautiful things are difficult, right?” she said, smiling.

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Ethiopian Painter and Artsy Vanguard alum Tesfaye Urgessa joins White Cube. https://ift.tt/MlTFDZB

White Cube has announced representation of Ethiopian painter and Artsy Vanguard alum Tesfaye Urgessa. The gallery will present his work at Frieze Seoul 2026, where his painting Fiber of grace (Schutz) 2 (2025) will be on view, ahead of his debut solo exhibition at White Cube Hong Kong, opening September 9, 2026.

Urgessa lives and works between Addis Ababa and Nürtingen, Germany, and was the first artist to represent Ethiopia in its inaugural national pavilion at the Venice Biennale in 2024. His first solo museum presentation in Asia is currently on view at Red Brick Art Museum in Beijing, through August 9, 2026.

Describing himself primarily as a draughtsman, Urgessa begins each day with drawing before turning to painting on his studio floor, working with a long brush to build densely populated compositions in which bodies appear pressed against one another, at times enmeshed with their domestic surroundings.

His visual vocabulary draws on Ethiopian iconographic traditions and German Expressionism, as well as Francis Bacon and Lucian Freud, whose work he has studied closely. He attributes this breadth to a formative encounter with European art after relocating to Germany to study at the Staatliche Akademie der Bildenden Künste in Stuttgart, an experience that also brought him into contact with forms of racial and social difference new to him. Migration, familial relations, and community are recurring concerns in his work, shaped in part by his wife’s work with newly arrived migrants.

In 2023, Urgessa was selected in The Artsy Vanguard, the annual selection of the most promising artists working today. “I want my figures to have almost an emotional vulnerability,” he told writer Emily Steer in an interview.

The White Cube Hong Kong exhibition will bring together new paintings and works on paper made over the past year. Urgessa’s works are held in institutional collections including the Brooklyn Museum, New York; Castello di Rivoli, Turin; and the Uffizi Galleries, Florence.

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5 Artists to Follow at Foundations 2026 https://ift.tt/z42gR1G

Vegetable Venus, 2026
Xanthe Burdett
Wilder Gallery

This month on Artsy, Foundations 2026 has launched: a curated showcase highlighting artists at the beginning of their careers. With over 240 artists from around the world, this edition of Foundations is the perfect chance to discover emerging talents and buy fine art at an accessible price.

At Artsy, we’ve spent the last week poring over the showcase to find our favorites. We’ve handpicked five artists whose works are worth a second look, from abstractions made of seashells and tapioca beads to cake-laden paintings of consumption.

Charlene Tan

B. 1982, Houston. Lives and works in San Francisco.

Works available at: re.riddle

Homage to Kappi (Crab), 2025
Charlene Tan
re.riddle

Homage to Kappi (Crab) Abalone and Rhinestones, 2025
Charlene Tan
re.riddle

Artist Charlene Tan was born in Houston, but she spent three years of her childhood living with her grandmother in the Philippines. There, the artist remembers visiting an indoor market in Manila and seeing stalls full of freshwater pearls, beads, and rhinestones.

Now based in San Francisco, Tan’s artworks are in many ways inspired by that experience, as well as her grandmother, who was a seamstress and embroiderer. Tan creates abstract works that are inspired by tribal weaving traditions of the Philippines. Tan digitally scans found images of traditional weavings, edits them down to the essential pattern, and then retraces them by hand. The artist then adorns these patterns with pearls, iridescent shells, and Filipino food staples like ube powder or thousands of tiny pink tapioca balls.

Tan has described interpreting traditional Filipino weavings as decolonizing her mindset. Tan holds a BA in history and theory of contemporary art from the San Francisco Art Institute. Her work has been shown across the U.S., including solo shows “Warp/Weft” at re.riddle in 2024 and “Remembering” at Sarah Shepard in 2023. She has also been a visiting artist at Minnesota Street Project Studios in San Francisco.

Xanthe Burdett

B. 1995, Devon, England. Lives and works in London.

Works available at: Wilder Gallery

They came upon a clearing, 2026
Xanthe Burdett
Wilder Gallery

Like bees, I feel them brush softly against me, 2026
Xanthe Burdett
Wilder Gallery

British artist Xanthe Burdett paints strange, spectral female figures that appear at once human and botanical. Painted in thin veils of green hue, these women appear translucent, even ghostly, with vines and flowers twisting through their bodies.

In her painting Vegetable Venus (2026), a phantom woman reclines like an odalisque, greenery running through her body like a circulatory system. She seems to emerge from the foggy green landscape behind her. This imagery draws both from her personal memories and art historical inspirations, such as the medieval “Devonshire Hunting Tapestries” in the collection of the Victoria and Albert Museum.

Burdett has described the works as concerned with “this idea of memory and history being caught in the ground and the earth beneath us—this space of the mythological animal world, but also this really fertile place that we can’t look into as humans.”

Burdett graduated with an MA in painting from the Royal College of Art in 2024, after studying education, English, and drama at Cambridge. She opened a solo exhibition “Psychopomp" at Palo Gallery in New York last fall. Her work was recently on view with Wilder Gallery at Echo Soho in London.

Kriss Munsya

B. 1986, Kinshasa, Democratic Republic of the Congo. Lives and works in Vancouver.

Works available at: Galerie Robertson Arès

Syracuse, 2022
Kriss Munsya
Galerie Robertson Arès

Even - Washed Out. Genetic Bomb (framed | avec encadrement), 2022
Kriss Munsya
Galerie Robertson Arès

Photographer and filmmaker Kriss Munsya creates vibrant, staged photographs inspired by his experiences and dreams as a Black man navigating the world. Born in Kinshasa, in the Democratic Republic of the Congo, Munsya moved to Belgium as a child. He was raised in Brussels and later relocated to Vancouver, where he lives and works today.

As a young man, Munsya embarked on an influential hitchhiking trip from New York to Rio de Janeiro, a sojourn that became the basis of his 2014 debut feature film, Us and Them. His experiences on the road reshaped his understanding of the world, including its normalized, sometimes violent racism, and his sense of self.

A self-taught artist, Munsya turned his focus to photography nearly a , coinciding with his increased involvement in social and ecological activism. His richly saturated color photographs picture Black people in gestures of intimacy and affection. He obscures his models’ faces with flowers, sequins, and fabric, anonymizing and universalizing them at once.

Munsya’s work is included in the collections of Canada Council Art Bank. He was a 2021 Hopper Prize finalist and one of ArtConnect’s Artists to Watch in 2023, with work featured in The New Yorker, The Guardian, and The Nation, among others.

Olivia Sterling

B. 1996, Peterborough, England. Lives and works in London.

Works available at: Nibelungen Gallery

Cartoon Logic, 2025
Olivia Sterling
Nibelungen Gallery

Are we about to Kiss?, 2024
Olivia Sterling
Nibelungen Gallery

British artist Olivia Sterling paints the language of consumption—one slice of cake at a time. In her paintings, hands dig into frosted, sugary cakes, devouring the confections with a frenzied intensity. Her style is informed by children’s comic books as well as satirical illustrations, and her work often hints at the politics of race and class.

Sterling received her BA in fine art from the University of Derby in 2018 and her MA in painting from the Royal College of Art in 2020. That year she presented her solo show “It Clings Like a Leech” at Guts Gallery, London, and had a solo presentation, “White Bread,” at Cob in 2021. Her work has appeared in more than 50 group exhibitions in the U.K. and internationally, including at White Cube and the Saatchi Gallery.

Julia Policastro

B. 1992, Buffalo, New York. Lives and works in Philadelphia.

Works available at: Blah Blah Gallery

Lydia, 2025
Julia Policastro
Blah Blah Gallery

Cecily, 2025
Julia Policastro
Blah Blah Gallery

Artist Julia Policastro makes three-dimensional artworks that could be defined as both sculpture and painting. In these plaster, foam board, canvas, and oil works, hands emerge from pillow-like forms, holding flowers or grasping a letter between fingertips. Using a technique inspired by the 14th-century Italian quilting technique of trapunto, each of these works bears a woman’s name: Gina, Cecily, Janet.

The gestures they depict are seemingly mundane, but otherworldly, reminiscent of Robert Gober’s haunting handmade sculptures. Policastro has painted these works pale hues of whites, pinks, and yellows, giving them a faded, ghostly appearance. Her inspirations range from late medieval and early Renaissance Sienese artists to the works of Ken Price and David Hockney. Policastro received her BFA from Tyler School of Art. She has been included in group shows at Blah Blah Gallery, Deep Space Gallery, and Fleisher/Ollman, among others.

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Daniel Arsham to create whiskey-inspired performances during Frieze Seoul 2026. https://ift.tt/IihWsSY

Artist Daniel Arsham has collaborated with Scottish distillery The Balvenie on a new whiskey collection entitled “Dawn of Our Spirit,” which will be unveiled on September 1st in partnership with Frieze Seoul. The collection will be introduced through an immersive, sensorial performance directed by Arsham.

The performance draws on the meditative process of turning barley grain on a malting floor, an important step in the preparation of whiskey. Arsham visited the distillery’s own malting floor in Speyside, Scotland, which opened around 1931 and remains unchanged. “The distillery itself is so materially rich: the barley grain, the copper stills, the wooden casks crafted in the cooperage, combined with an array of evocative time-infused scents and ambient sounds,” Arsham said. “I’m looking forward to expressing this through our performances during Frieze Seoul.”

The Balvenie’s malt master Kelsey McKechnie, who conceived the collection, called it “a true celebration of master craftmanship and the creative power of time,” adding that Arsham’s “artistic storytelling will bring the treasured and fundamental aspect of The Balvenie’s Home Malting Floor to a world stage.”

The project extends Arsham’s long list of brand collaborations, which include Dior, Adidas, and Rimowa, as well as an ongoing partnership with Tiffany & Co. dating to 2021. Arsham also serves as creative director for the NBA team Cleveland Cavaliers, for whom he redesigned the team’s logo.

His gallery artistic practice has continued alongside this commercial work. His most recent exhibition “Various Thoughts” closed at Perrotin New York in April, coinciding with the release of his autobiography, Future Relic.

The Balvenie x Arsham unveiling arrives during a packed week for the Korean capital. Frieze Seoul returns to COEX in Gangnam for its fifth edition from September 2nd to 5th, hosting more than 125 galleries from 30 countries. The fair will run concurrently with Kiaf Seoul, the country’s longest-running international art fair, which will welcome 175 galleries for its 25th edition, also at the COEX.

Following its Seoul debut, “Dawn of Our Spirit” will travel to New York, Shanghai, and Taipei.

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Taryn Simon to become first photography and film artist to have Guggenheim solo show. https://ift.tt/FmlC8ND

The Guggenheim Museum in New York will dedicate its entire rotunda to a single artist working in photography and video for the first time when it opens “Taryn Simon: Father Country I Do Love You” on September 18, 2026. Running through March 14, 2027, the exhibition will mark the first monographic rotunda presentation by a photography-based artist in the museum’s history as well as the largest debut of new work ever presented at the Guggenheim.

Nearly a decade in the making, “Father Country I Do Love You” (2026) is Simon’s most expansive and personal project to date. Spread across 42 individual artworks combining photography, text, video, and sculpture, it traces the real life of an unnamed federal agent whose work as a middleman involved witnessing events and collecting evidence for others to piece together. But his work rippled outward into the lives of people and nations he never knew.

The exhibition is dedicated to Simon’s father, who worked for the U.S. government in Thailand and traveled to Russia, Iran, Israel, China, Afghanistan, and Korea before embarking on a second career manufacturing and selling arcade games. Simon never learned his full story, and when he was diagnosed with Alzheimer's, it became impossible.

Simon has spent two decades mining bureaucratic and institutional archives in her practice. These have ranged from the CIA’s art collection to the visa paperwork behind her 2016 Park Avenue Armory performance piece “An Occupation of Loss,” which grappled with loss in a spectacular set designed by OMA. Her 2024 sculpture Kleroterion at Storm King Art Center, meanwhile, modeled on an ancient Athenian voting device, grew in part from a childhood spent around her family’s arcade machines. “Games were like oxygen—always there,” said the artist, who has described her research process as inseparable from her medium.

The works in “Father Country I Do Love You” will enter the Guggenheim’s permanent collection, which already holds three other pieces by Simon. The museum will also co-publish an accompanying artist book with Hatje Cantz. The exhibition is organized by curator Nat Trotman and was initiated by former artistic director Nancy Spector. Simon is represented by Gagosian and Almine Rech.

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5 Standout Shows to See at Small Galleries This August https://ift.tt/aquSwde

First Sun and Green Curtain, 2026
Shawn Huckins
K Contemporary

In this monthly roundup, we spotlight five stellar exhibitions at small and rising galleries.

Alejandro Javaloyas

“Un cuchillo que no corta”

Galeria Reus, Palma, Spain

Through Aug. 31

Tal vez los años luz son todos iguales, 2025
Alejandro Javaloyas
Galeria Reus

La pesanteur et la grâce, 2025
Alejandro Javaloyas
Galeria Reus

Spanish artist Alejandro Javaloyas presents new small and uncanny works based on his own recurring nightmares in this new exhibition, the title of which translates to “the knife that doesn’t cut.” For years, Javaloyas has diligently kept a record of his dreams in a notebook by his bedside. The artist takes these notes and works with artificial intelligence models to create visualizations of his scribblings.

Pulling from hundreds of variations, Javaloyas selects a handful of images, which he then reworks digitally. These pictures are then printed as giclée prints on cotton paper, which the artist then layers with wax-based colored pencil that creates a kind of glaze.

Picturing burning houses, crashed cars, and baby teeth, the works possess an ambiguous blur that gives the fleeting sensation of a dream. In one work, Tal vez los años luz son todos iguales (2025), a snail inches across the nape of the neck, to a surreal and visceral effect. The artist holds a master’s degree in film and the influence of filmmakers such as Andrei Tarkovsky, Chris Marker, and David Lynch is evident in his works’ atmospheric weight.

Shawn Huckins

“Slow Burn”

K Contemporary, Denver

Through Aug. 22

War Cloud and Floral Blue Curtain, 2026
Shawn Huckins
K Contemporary

Wildfire Sunrise Behind Floral Lace Curtain, 2026
Shawn Huckins
K Contemporary

Beyond the elegantly parted drapes, disaster awaits. Artist Shawn Huckins is known for his paintings which reimagine scenes from American art history, from the vast vistas painted by Albert Bierstadt (of the Hudson River School) to the portraits of John Singleton Copley. These works delve into American national mythology and how it is remembered and rewritten.

In his new show on view at Denver's K Contemporary, each painting is formatted like a window, with curtains painted parted to each side. While the curtains, which range from lace to a rich green satin, suggest well-appointed interiors, the world beyond the window is filled with war clouds and wildfires. These apocalyptic scenes are a new addition to Huckins’s precisely painted tableaux.

The artist works from a studio in New Hampshire, and the recent series was partly inspired by the vibrant but hazy sunrises in the area caused by ongoing Canadian wildfire smoke. The hyperreal curtains suggest a kind of psychological distance from the unfolding disasters. The artist highlights the environmental effects of war and greater climate change on such majestic landscapes.

Jordi Clotet Saló

“Primera pedra”

Alzueta Gallery, Barcelona

Through Sep. 2

Accident, 2026
Jordi Clotet Saló
Alzueta Gallery

Jeroglífic, 2026
Jordi Clotet Saló
Alzueta Gallery

In this show, Catalan artist Jordi Clotet Saló presents a new series of oil-on-linen paintings with simplified forms. Painted in a limited palette of oxidized earth tones, these works range from geometric, almost architectural patterns, such as repeating circles broken into quadrants, and childlike depictions of cars and houses.

The exhibition title “Primera pedra” translates as “first stone” and reflects his paradoxical feeling of always being at the beginning, starting from scratch. In Clotet’s case, this feeling is heightened when creating a new work, even as his imagery draws from a sense of nostalgia and memory. Clotet’s interest in origins factors into his material choices as well. The artist's pigments are extracted from a quarry in Zaragoza, Spain, and processed locally, giving these works a raw, natural feeling.

“Ripples of Light”

LA BIBI Gallery, online

Through Oct. 31

Mallorca Shutter, 2025
Paul Riedmüller
LA BIBI GALLERY

Butterfly Sword Warrior, 2024
Fatima de Juan
LA BIBI GALLERY

What does summer feel like? “Ripples of Light,” an online presentation from LA BIBI Gallery, puts a spin on the traditional summer group show. Rather than actual depictions of the season (think beach scenes and bikinis), here, you’ll find works that embrace the sensory intensity of the hottest months.

Across painting, sculpture, and mixed media, the works on view are marked by chromatic saturation, lush gesturalism, and a breezy, waterfront feel. Paul Riedmüller’s Mallorca Shutter (2025), is a trompe l’oeil painting of closed bright green shutters, with stark shadowing under the slots. The painting calls to mind a blazing hot day, when the only respite is blocking out the sunlight. Elsewhere, abstractions evoke the sensations of the season through intensity of color. In Srger’s acrylic, oil stick, and charcoal-on-wood composition BM_4 (2025), for example, a sweeping block of royal blue pigment dotted with bright white squiggles brings to mind a summer sky with crossing clouds.

“Summer Vibes - 2026”

Daguet-Bresson, Ramatuelle, France

Through Sept. 13

#2631, 2026
Morten Løbner Espersen
Daguet Bresson

Palengrotte, 2026
Superpoly
Daguet Bresson

Paris gallery Daguet-Bresson Gallery returns to the Saint-Tropez peninsula this summer with an exhibition at the Fondugues-Pradugues estate in Ramatuelle. The show, which brings together dozens of ceramic vessels, is full of whimsy and wonder, ranging from kaleidoscopic glazes to animalian tureens. Danish ceramist Morten Løbner Espersen's vases are a standout of the show, as the seemingly simple vessels are transformed by thick layers of glazes. Also delightful are the quirky ceramics of French artist duo Superpoly (Antoine Grulier and Thomas Defour), including functional stoneware plates adorned with big-eyed fish and startled crabs.

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