Thursday, August 14, 2025

How to Buy Digital Art https://ift.tt/dEazOIB

Electr-O-Pura, 2015
Matthew Kluber
David Richard Gallery

Digital art is no longer on the fringes of the art world. As technology seeped into every aspect of daily life, its rise as an artistic medium feels inevitable. While the Non-Fungible Token (NFT) boom of 2021–22 may have been the moment many first encountered digital art as a collectible asset, it doesn’t convey the field’s long history and deep creative roots.

“Digital art is everywhere, but people don’t realize it,” gallerist Mimi Nguyen of Nguyen Wahed Gallery told Artsy.

The roots of digital art stretch deep into the 20th century. In the 1960s, artists like Vera Molnar and Harold Cohen were using computers to generate images and explore code as a creative medium. In the decades that followed, internet-based art experienced a surge in popularity thanks to the rise of personal computers and social media. Today, blockchain authentication, generative software, AI models, and virtual exhibition platforms all form part of an expanding ecosystem that also includes growing communities of artists and collectors.

Untitled #050105 (Pink), 2005
Harold Cohen
Bernard Jacobson Gallery

Albers Universal - 98ième anniversaire, 2022
Vera Molnar
Galerie La Ligne

“Digital art is the revolution of our time—our contemporary is based on digital,” art advisor Virginia Gazzoni told Artsy. Digital art is also attracting increased institutional attention: Museums are commissioning VR installations, emerging artists are finding audiences entirely online, and auction houses are offering AI-generated works—a category that is notably finding resonance among young collectors. The digital sphere is no longer a parallel track to the traditional art world; it’s an increasingly intertwined part of it.

Yet buying digital art can still prove intimidating for new entrants. The language—minting, gas fees, smart contracts, cryptocurrency—can seem technical, and the sheer range of what’s out there can make it difficult to know where to start.

But much of this confusion can be easily parsed out. In reality, the tools for collecting digital work are becoming easier to use, and artists are becoming easier to discover. This guide breaks down what digital art is, how to evaluate it, and the practical steps for buying works, whether you’re drawn to a one-of-one AI portrait, a virtual sculpture in augmented reality like Refik Anadol’s Lionel Messi installation, or a looping animation designed for your living room screen.


What is digital art?

Digital art is a much broader category than many first realize. At its core, the term refers to any work created primarily with digital technology, and it’s not always confined to a screen. Popular examples of digital art include:

  • Digital painting and drawing: Artwork created using digital brushes and painting software.
  • Pixel Art: Art made up of small, deliberately placed pixels.
  • 3D Modeling and sculpting: Creating three-dimensional objects or characters.
  • Manipulated Photography: Combining, altering, and enhancing photographs.
  • Digital Collage: Layering multiple digital elements and images into a single composition.
  • Generative Art: Art created using algorithms, AI, or code.
  • Fractal Art: Mathematical and algorithmic designs that create intricate, repeating patterns.
  • Augmented Reality (AR) Art: Digital works that overlay visuals onto the real world through mobile devices or AR glasses.
  • Virtual Reality (VR) Art: Fully immersive, interactive 3D environments or experiences.
  • Animation: Moving images, often combining illustration and 3D elements for storytelling.
  • Vector Art: Scalable artwork created with vector-based programs (e.g., Adobe Illustrator), often associated with graphic design.
  • Interactive Installations: Digital pieces that respond to user input or environmental changes.
  • Glitch Art: Art that uses intentional digital “errors” or distortions for aesthetic effect.

Monster Movie, 2005
Takeshi Murata
San Francisco Museum of Modern Art (SFMOMA)

The rise of digital art has also led to the rise of digital art communities. The same technological shifts that made it easier to create digital art also made it easier to share, discuss, and collaborate on it. From the early internet forums of the 1990s to the Web3 and social media eras of the 2020s, the digital art world is globally interconnected, where technology fuels both artistic production and social connection.

“Collecting digital art isn't just about ownership; it’s about participating in a living, networked culture,” London-based collector Aleksandra Artamonovskaja told Artsy. “It’s fast-moving, deeply experimental, and global by default.”


How do NFTs relate to digital art?

Her (Celestial Bodies Series), 2022
Kate Street
Blackbird Rook

NFTs, which emerged into public view in 2020, are essentially a way to establish ownership, provenance, and scarcity for digital art in a way that’s verifiable and hard to fake. This is particularly important for digital artworks such as JPEGs, GIFs, and 3D files that can be duplicated perfectly with no loss in quality. While it’s ideal for sharing a digital artwork, it makes it hard for artists to sell “originals” or prove authorship.

NFTs are digital tokens that prove authenticity and ownership of an asset. Each NFT is a unique entry on a blockchain that records who created the artwork, who currently owns it, and the artwork’s transaction history. That record also tracks transfers of past ownership, making resales and collector histories transparent.

Bending Light, 2022
Krista Kim
Unit

But not all digital art is tied to NFTs: A digital painting or sculpture, for example, may not carry an NFT certificate. NFTs are a tool; they’re part of a broader digital art landscape as varied in style and medium as any corner of the traditional art world.

What connects these works is the way technology shapes their creation and their experience, and increasingly, the way collectors can own and live with them, projected onto screens or saved on their hard drives.


What to look for when buying digital art

DOKU the Creator: Black and White Karma – Turning I #17, 2025
DOKU
Nguyen Wahed Gallery

Evaluating digital art starts with similar fundamentals to approaching any other medium: finding the styles, themes, and areas that resonate with you.

“Honestly, it’s the same signals you’d look for in traditional art. Digital art is still just...art,” said Nguyen. “Whether someone’s using their body as a medium or technology as a medium, the evaluation criteria should be identical to how we assess any contemporary work. Don’t overthink it just because there’s a computer involved.”

Technical execution matters, as does how authentically an artist engages with the medium. “What truly stands out to me is when an artist uses the digital medium in a way that feels authentic and has a discernible narrative,” said Artamonovskaja.

OFFSHORE (Installation), 2025
FAR
Nguyen Wahed Gallery

Still, certain practical factors are worth bearing in mind. For digital art, especially, these can include:

  • Edition size: Similar to a print, oftentimes a digital artwork comes in multiple copies, which can change the value of an artwork.
  • File quality and format: Ensure you’re getting the highest-resolution version in a format you can use or display.
  • Usage rights: Clarify whether you have personal display rights only, or if you can reproduce, resell, or use the art commercially.
  • Smart contract: This is a self-executing agreement between buyer and seller that is stored on the blockchain. Ensure that you have one.
  • Metadata and provenance: For NFTs, review the blockchain record to see past owners and verify the creation date.
  • Display options: Decide how you’ll showcase the artwork (digital frames, VR galleries, web portfolios).

Like collecting work by any artist, it’s advisable to do your research. “If it’s an artist that is a huge market and, or consistent market at least, on the physical field—with some museum sales or nice collection sales, foundations, and solid galleries working with him—then I think digital artwork, NFT, coming from such an artist would be much more consistent, resilient, and would find their way through,” advised Stéphane Debost, founder of In Arte Veritas.

The Mystery (v3), 2019
Auriea Harvey
bitforms gallery

Gazzoni notes that it’s important to study the market, like a collector might watch the Picasso market. Speak with galleries, attend auctions, and find the work you love online.

It’s also recommended to engage in collector networks, such as OpenSea or ArtDex. Engaging in these forums allows collectors to speak directly with artists—getting insights into their process, future projects, and inspirations. Some communities even involve collectors in creative decisions—such as voting on features of an NFT series or suggesting themes for future works—giving a sense of authorship and deeper connection.

“Every sector of digital art has its own quality standards against which the artwork is measured,” said art advisor Georg Bak. “For example, in generative art and blockchain-based art, the complexity and innovation of the code plays an important role, along with visual appeal. The community that supports the artist or project is crucial for price development, and influential collectors behind an artist also play a role. One indicator is the number of followers on X or in a Discord group and the general reaction when a project is being announced.”


The logistics of buying digital art

While buying certain types of digital artworks, such as paintings and sculptures, is akin to purchasing other traditional media, other forms differ in both process and infrastructure.

Many works—especially those sold as NFTs—require a digital wallet, such as MetaMask, and payment in cryptocurrency, most commonly Ethereum. Transactions may include gas fees, which are small charges for processing data on the blockchain.

Storage is another consideration: works kept on-chain have their data permanently recorded on the blockchain, ensuring transparent provenance and easier long-term preservation. Off-chain files depend on external servers, which raises questions about access and durability. Ownership is verified through the blockchain’s public ledger, which records each transfer and sale, making it a great way to track provenance.

“Dealing with digital currencies is still a headache,” Nguyen said. “Even collectors who’ve been in the blockchain space for years get nervous clicking ‘sign transaction’… But crating a bronze sculpture and shipping it across the ocean, and doing customs paperwork, can also be a headache at the end of the day.”


4 tips for buying digital art

Let Me Out , 2024
Nge Lay
Intersections Gallery Myanmar & Singapore

  • Learn the tools: Gazzoni advises new buyers to “study the market and study the new tools” used by artists, because the landscape shifts rapidly, emphasizing that “it’s important to know what’s going on today.” That means staying current on blockchain developments, generative software, and digital formats. As a starting point, she recommends purchasing a piece that bridges both worlds, “an object, but based on the digital tools.”
  • Look beyond the hype: Approach digital art with the same critical eye you’d bring to any other high-value purchase. Use platforms like Artsy to research artists and understand curatorial context. Trends move even faster online than in traditional markets, so what feels “hot” today may fade tomorrow. “Do your research, read about the artist, meet them if possible, take them to exhibitions, and see how they think,” said Nguyen.
  • Make a careful risk assessment: Debost suggests that while a small purchase might be “considered just decoration,” a larger purchase, made on or off the blockchain, could be at risk of some volatility. In a fast-moving digital market, that kind of caution can help you avoid overpaying for work that might lose relevance—or value—quickly. He suggests looking at what galleries an artist looks at or if any museums or esteemed collections have acquired works. Don’t be afraid to dive headfirst into digital art communities: Artamonovskaja recommends “immersing yourself in spaces and platforms that spotlight this type of art…Many digital artists are building their own tools and logic; understanding that mindset is key in appreciating the depth of their creative practice.” She mentions some resources, including the online database Electric Chronicles and the educational art organization, the Tezos Foundation.


from Artsy News https://ift.tt/DwygEMu

No comments:

Post a Comment

Why Frida Kahlo Continues to Dominate the Art Market https://ift.tt/UAC5Q8p

Frida Kahlo ’s 1940 self-portrait, El sueño (La cama) , sold last night, November 20th, at Sotheby’s New York for $54.66 million , becoming...

Latest Post