Designer Michael Kors staged his spring/summer 2027 collection Friday morning in the Museum of Modern Art’s sculpture garden, building the show around what he called “the fine art of fashion.”
Kors told Reuters he was drawn to "the tension of something sculptural with something very crisp," citing Carmen Herrera, Alexander Calder, and Ellsworth Kelly as touchstones for the collection.
The collection nodded to these artists through blocks of saturated color, graphic contrasts, and sculptural silhouettes. Asymmetric dresses in primary red, yellow, and black appeared throughout, along with mod,1960s-inflected silhouettes such as a micro skirt suit with a Peter Pan collar in bright green. Kors also embraced thin black-and-white stripes, offering an Op Art . Accessories leaned sculptural, with bags suspended from silver hoops, leather coin purses doubling as layered necklaces, oversize bauble rings, and beehive-style sunglasses.
The palette stayed predominantly black and white, punctuated by moments of red, green, and yellow. "It's New York," Kors said of the Piet Mondrian-like palette. As the show closed, Harry Nilsson's “I Guess the Lord Must Be in New York City” played through the garden. Guests included Gabrielle Union-Wade, Grace Van Patten, and Lea Michele.
In a review for The Impression, critic Mackenzie Richard Zuckerman framed the collection as "not reinvention so much as recomposition," describing how Kors took his most familiar garments—coat, trouser, and blazer—and subjected them to “a subtle but meaningful disturbance” drawn from Herrera, Calder, and Kelly.
Kors has previously staged runway shows at cultural institutions. For instance, his spring 2026 show took place at the Metropolitan Opera House, and marked his brand's 45th anniversary. The designer has also cited early visits to Andy Warhol's Studio 54 as a formative influence.
from Artsy News https://ift.tt/n8MYEWF
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